Movie - Libaas (1988)

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Movie Premier in 1988.

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Color Info: Color
Countries: India
Genres: Drama
Languages: Hindi

In movie have been taken:

Naseeruddin Shah (actor)
Spouse: 'Ratna Pathak' (qv) (1 April 1982 - present)
Height: 178 cm
Quotes: (2003): I don't enjoy seeing Hindi films.
Birth Notes: Delhi, India
Awarded Padma Bhushan for the year 2003 by the Government of India., Father of 'Immaduddin Shah' (qv)
Birth Date: 20 July 1950

Shabana Azmi (actress)
Articles: "Film Comment" (USA), September 2002, Vol. 38, Iss. 5, pg. 62-65, by: Maithili Rao, "Perfect Pitch: Maithili Rao Pays Tribute To Brilliant Indian Actress And Feminist Icon Shabana Azmi", "Time" (USA), July 19, 1976, "Asia's Frenetic Film Scene"
Spouse: 'Javed Akhtar (I)' (qv) (9 December 1984 - present)
One of the key lights of the now-largely-defunct Indian New Wave, Shabana Azmi (alongside the belated 'Smita Patil' (qv)) be one of the main feminine actor who dominated the films of the so-called "Parallel Cinema" bordered by India in the 1970s and 1980s. Born to noted Urdu long-suffering lyricist and lyricist 'Kaifi Azmi' (qv) and the stage actress 'Shaukat Azmi' (qv), Shabana hang by the line-up of acted in films via virtually all of India's furthermost fabulous arthouse director as ably as 'Shyam Benegal' (qv), 'Satyajit Ray' (qv), 'Mrinal Sen (I)' (qv), 'Aparna Sen' (qv) and others, using well as in commercial and middle-of-the-road Hindi films, where on earth she has essayed several overpowering female characters (e.g., in _The Death Sentence: Mrityu Dand (1997)_ (qv) and _Godmother (1999)_ (qv)). She be noted all for her naturalness and brilliance on-screen, matched by her cruel advocacy of the rights of women, minorities and slum-dwellers off-screen, both through activism and in her role as a Member of Parliament, where her homogeneous accept in defense of liberal values and the freedom of rant is extraordinary. She has also acted on chapter to great acknowledgment, most eminently in Tumhari Amrita next to Farookh Sheikh. She is married to noted scriptwriter and lyricist 'Javed Akhtar (I)' (qv).
Quotes: I find it very frightening to be called an icon. To be institutionalised., The trick of enjoying life is to accept your age. Don't fight the years, grow with them., To speak in Parliament you really need to do your homework, otherwise you can be torn to shreds., You cannot be detached from what you portray. I think it is inevitable that the roles you play affect you. The residue is bound to remain, even after you've played the role., I'm not averse to doing anything as long as it's not at cross purposes with my values and I can make time for it.
Birth Notes: Delhi, India
Other Works: Advertising medium for Arial (1997)
Where Now: (January 2006) Shabana Azmi be at the trice inwardly the UK film the lines role in _Banglatown Banquet (2006) (TV)_ (qv) in espouse of the BBC documented via 'Tanika Gupta' (qv), directed by 'Hettie Macdonald' and produced by 'Sam Hill'. Executive producers be 'Will Trotter' (qv), 'Sally Woodward' and 'Tessa Finch (I)' (qv).
Aunt of 'Tabu (I)' (qv) and 'Farha'., One of India's most respected actresses, working in commercial and art house films alike., Daughter of 'Kaifi Azmi' (qv) and 'Shaukat Azmi' (qv)., Had a seven year long relationship with 'Shekhar Kapur' (qv)., Considered to be the best Indian actress of her generation together with 'Smita Patil' (qv)., She is a huge supporter of 'Benazir Bhutto' (qv).
Birth Date: 18 September 1950

Vikas Mohan (producer)

Rahul Dev Burman (composer)
Son of 'Sachin Dev Burman' (qv), In the song 'O Manjhi Re' from the movie 'Khushboo', he used soda bottles with water filled at different levels and created a "phook" sound by blowing into them. This sound was used with the orchestra., On his own submission, he used to get tunes in his dreams, and on the advice of his father, began getting up as soon as he "dreamt" of a tune and wrote it down. Songs such as "Mera naam Shabbo", "Kanchi re kacnhi re" had come to him in his sleep., He was the first to introduce the Brazilian bossa nova rhythm in Hindi film music - the song was "Maar dalega dard-e-jigar", sung by Asha Bhosle, in "Pati Patni".
Nick Names: Pancham
Death Notes: Bombay, Maharashtra, India (heart attack)
Birth Notes: Calcutta, India
Books: PANCHAM - An anthology by Vishwas Nerurkar
Spouse: 'Asha Bhosle' (qv) (1980 - 4 January 1994) (his death)
Death Date: 4 January 1994
Birth Date: 27 June 1939

Gulzar (director)
Spouse: 'Rakhee Gulzar' (qv) (? - ?)
Gulzar be a newspaper columnist, a lyricist, a king and, at heart, a rhymester. His films, quick-tempered, flowing, and but elated, be a generosity relief from the disorderly films that packed out the 1970s and 1980s. Born Sampooran Singh Kalra inside Deena, in the Jhelum District in what is presently Pakistan, he come to Delhi after the dividing wall during individuality in abide of a poet. He amalgamated 'Bimal Roy (I)' (qv) Productions in 1961 and get his furthermost basic impertinence as a lyricist message in buttress of Bimal Roy's _Bandini (1963)_ (qv). The glory of this graphic made him Bimalda's full-time adviser and got him writing for films via acclaimed director close to 'Hrishikesh Mukherjee' (qv) and 'Asit Sen (I)' (qv). Some of the films he hang next to documented count _Anand (1971)_ (qv), _Guddi (1971)_ (qv), _Bawarchi (1972)_ (qv), and _Namak Haraam (1973)_ (qv) for Mukherjee; and _Do Dooni Char (1968)_ (qv), _Khamoshi (1969)_ (qv), and _Safar (1970)_ (qv) for Sen. Gulzar made his directorial debut near _Mere Apne (1971)_ (qv). Based on 'Tapan Sinha' (qv)'s "Apanjan," the film look at an matured female (played by 'Meena Kumari (I)' (qv)) caught relating two side road gang of redundant and frustrated youths. He consequently go on to brand first name _Parichay (1972)_ (qv) (loosely base on _The Sound of Music (1965)_ (qv)) and _Koshish (1972)_ (qv), which endow with a brilliant appearance at the trial of a deaf and dumb brace (played by 'Jaya Bhaduri' (qv) and 'Sanjeev Kumar (I)' (qv)). From this film came a mutually acceptable partnership with Kumar, which resulted in superb films like _Mausam (1975)_ (qv), Angoor (1982)_Namkeen (1982)_ (qv), and the classic film _Aandhi (1975)_ (qv), which have be not allowed for a while. However, Gulzar didn't always depend on Sanjeev Kumar: the star of the occurrence, such as 'Jeetendra (I)' (qv), 'Vinod Khanna' (qv), and 'Hema Malini' (qv), work with him in unglamorous role and gave several of their head and introspective performance in films like _Achanak (1973)_ (qv), _Khushboo (1975)_ (qv), and _Kinara (1977)_ (qv). Musically, Gulzar be invincible. Being a lyricist and collaborate with film composer, he always had a soaring part of music in his films, mega with 'Rahul Dev Burman' (qv). And while Burman become a pop god with his tune from _Yaadon Ki Baaraat (1973)_ (qv) and _Hum Kisise Kum Naheen (1977)_ (qv), he also gave Gulzar classic piece with which to manual labour in _Khushboo (1975)_ (qv) and _Ijaazat (1987)_ (qv). Sadly, the 1980s and 1990s saw a decline in Gulzar the director, and although films such as _Lekin... (1990)_ (qv) and _Maachis (1996)_ (qv) had their moment, his concluding film to date, _Hu Tu Tu (1999)_ (qv), was a misfire. However, he try his paw at box with the markedly acclaimed television film _Mirza Ghalib (1988) (TV)_ (qv). Made closely the poet's time and starring 'Naseeruddin Shah' (qv) in the alias role, the serial was a signpost in Indian Television. Gulzar has also directed documentaries on 'Amjad Khan (I)' (qv) and Pandit 'Bhimsen Joshi' (qv) also as "Shaira," a film based on 'Meena Kumari (I)' (qv). He has also turned his grace into other channels--he has written screenplays for films like _Masoom (1983)_ (qv) and _Rudaali (1993)_ (qv), and has written the singing for films like _Dil Se.. (1998)_ (qv) and _Saathiya (2002)_ (qv).
Quotes: "Music enjoy a crude deposit contained by our live. Right from the shloka you recite in your morning puja and the milkman who come whistle by the section of his cycle, to the fakir singing in place of he beg in favour of alms and your mother humming in a sphere-shaped the kitchen. Music fill our spaces intrinsically. It will always be dear to us."
Birth Notes: Dina, British India (now Pakistan)
Trademarks: Always uses a flashback technique in his films, due to his belief that the present is never complete until the past is reflected upon.
Has documented several book by rhyme, children's account and stumpy stories. A children's storybook of his name Ekta received an payment from the NCERT (National Council contained by favour of Education, Research and Training)., He was associated with the PWA (Progressive Writers' Association) in Delhi., Though an Urdu writer, there was a strong influence of Bengali literature in his work., His daughter's name is Meghana Gulzar.
Birth Date: 18 August 1936

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